The narrator in The Fanatics suggests that the gendered and sexualized rhetoric of racism, espoused in part by turn-of-the-century scientific discourse, leaves a man like Ed's possibly queer desires, to gesture to Beloved again, "disremembered
and unaccounted for" (Morrison 1998, 274) in his own day.
Khashoggi's body was disremembered
and its whereabouts remain unknown.
In fact, the Namibian genocide and German colonial history are disremembered
in Germany, which manifests in the maintenance of unequal land ownerships and the refusal of the German government to pay reparations or to formally apologize (Moloi 2016; Zimmerer 2013, 9).
Police today announced that they found two machetes on the riverbank where his disremembered
remains had been discovered yesterday (Aug.
White Cube presents Doris Salcedo's ethereal 'sculpture' Disremembered
VII, an indictment of society's attitude to mourning and the stigmatisation of the bereaved.
This constellational interpretation shows how the novel is less "David's" than "David and Dulcie's" story--a story in which Dulcie "erupts" but remains unpositivized, and one that constellates her with a host of other disremembered
women whose voices have been shut out by narratives of heroic, masculine resistance.
Shouldn't a more formal review of the 'disremembered
' productions be made, to help make up for the discrepancy?
baby/pass me a color you saw today & save my tenderness w/h your lovely brown fingers on my face /she showed me a sea-shell that was red/black inside & green pretty--i would have passed it by/in fact I wouldn't even have been wading out into the blue green water lapping up over the seawall like she was holding her dress folded above her knees smiling back at me & dodging small fishes One day long ago disremembered
, June stood on the seawall steps and marked me for life.
More than the sum of both these parts, a conversational Caribbean Studies enables the rediscovery of the disremembered
histories of global conversation (the transformations, ruptures and sparks) that have been and are now the conditions of knowledge production.
Drawing on Elaine Scarry's seminal text, The Body in Pain, the installation A Flor de Piel is akin to "the intense pain that destroys a person's self and world, a destruction experienced spatially as either the contraction of the universe down to the immediate vicinity of the body or as the body swelling to fill the entire universe." (4) With a similar emphasis on the corporeal as an inscriptive and abstracted surface for both pain and pleasure, Salcedo's series Disremembered
(2014) conjures a loosely woven and ethereal tunic seemingly occupied by an absent body.
Although aware of the potential destructiveness of ever more powerful technologies, it is this parallel emerging self-reflexivity that instills P--with the conviction that old ways of thinking can be overcome so that new ways of social action may be found in the willfully disremembered
It had been that way for so long that sunups and sundowns, yesterdays and tomorrows and almost everything in them had been disremembered
by each ...