Buckminster Fuller, the modernist architect, appears in the magazine nine years later in similarly ecclesiastical attire, staring at a large model of one of his futuristic works.
It is one of stark contrast: a young, vibrant, smiling black couple, stylishly dressed in black, holding the most powerful political position in the world, and between them a small, elderly white man, also smiling, dressed in white medieval ecclesiastical attire, holding the most powerful spiritual position in the world.