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 (ĕk′lôg′, -lŏg′)
A pastoral poem, usually in the form of a dialogue between shepherds.

[Middle English eclog, from Latin ecloga, from Greek eklogē, selection, from eklegein, to select; see eclectic.]


(Poetry) a pastoral or idyllic poem, usually in the form of a conversation or soliloquy
[C15: from Latin ecloga short poem, collection of extracts, from Greek eklogē selection, from eklegein to select; see eclectic]


(ˈɛk lɔg, -lɒg)

a pastoral poem, often in dialogue form.
[1400–50; late Middle English eclog < Latin ecloga < Greek eklogḗ selection, derivative of eklégein to single out; see eclectic]
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.eclogue - a short poem descriptive of rural or pastoral life
pastoral - a literary work idealizing the rural life (especially the life of shepherds)


[ˈeklɒg] Négloga f
References in classic literature ?
He, indeed, appeared at the annual exhibition, to the prodigious exultation of all his relatives, a farmer’s family in the vicinity, and repeated the whole of the first eclogue from memory, observing the intonations of the dialogue with much judgment and effect.
Then to the yard with the whole of them," said the curate; "for to have the burning of Queen Pintiquiniestra, and the shepherd Darinel and his eclogues, and the bedevilled and involved discourses of his author, I would burn with them the father who begot me if he were going about in the guise of a knight-errant.
The author of that book, too," said the curate, "is a great friend of mine, and his verses from his own mouth are the admiration of all who hear them, for such is the sweetness of his voice that he enchants when he chants them: it gives rather too much of its eclogues, but what is good was never yet plentiful: let it be kept with those that have been set apart.
The significance of 'The Shepherd's Calendar' lies partly in its genuine feeling for external Nature, which contrasts strongly with the hollow conventional phrases of the poetry of the previous decade, and especially in the vigor, the originality, and, in some of the eclogues, the beauty, of the language and of the varied verse.
Among their topics are Christian and "modernist" typology in The Anathemata, his controversial quest for sacrament, symbol and sacrament in his Eclogue IV, unfolding the implied theology of In Parenthesis in several biblical and liturgical allusions to the passion of Christ, and Christian artist at the dawn of a post-Christian era.
2) His Eclogues fit into late 1780s political and poetic trends, expressing abolitionist sentiment through the revived ancient form of the eclogue.
The final chapter, "Staging Objects in Pastoral," addresses the themes of suffering and mourning through a discussion of the first eclogue together with the series of objects used by the characters of the two shepherd-protagonists, Salicio and Nemoroso.
Vergil's third Eclogue is a bucolic (pastoral) and agonistic (competitive) poem that was inspired by Theocritus's fourth Idyll.
Garcilaso depicts several rivers, most importantly the Tormes in the second Eclogue, as well as the Tagus in the first and especially the third.
Violinist Benjamin Baker delivered a moving, note perfect Lark Ascending and his virtuosity was matched in the less familiar Eclogue for Strings (Gerald Finzi) by pianist Walter Delahunt.
With Marot's early 1515 translation of Virgil's first eclogue and Marot's own original bucolic verse from 1531, composed to lament the death of another Valois noble, Queen Mother Louise de Savoie (1476-1531), Maistre Clement had already created a pastoral tradition in France--one informed by Virgil, Baptista Spagnolo (commonly known as "Mantuan" after his birthplace), and others in its naturalization into the French vernacular--that Sceve needed to first confront prior to establishing his own authority within the bucolic genre.
Although scholars have focused on Encina's concerns with respect to his recognition as poet and then criticism of the Duke for his lack of recompense within the second half of the eclogue, one could argue that these concerns begin, in fact, in the opening section of the play.