formal mode

formal mode

n
(Logic) philosophy the style in which words are explicitly mentioned rather than used of their subject matter. "Fido" is a dog's name is in the formal mode, while "Fido is a dog" is in the material mode. See also mention7
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Since 2008, some of the formal mode universities like as Bahauddin Zakaria University, Multan, Gomal University Dera Ismail Khan, Government College University Faisalabad, Peshawar University and The Islamia University of Bahawalpur have also started courses through distance learning along with the formal courses according to policy of Higher Education Commission of Pakistan to discourage private education.
So, present dual mode institution may arrange trainings of staff working in formal mode.
Language style and article appearance, then, typically follow a standardized format that can be presented and explained to ESL students as a formal mode of communication for presenting research results.
The formal mode of technology transfers is made possible because technology as a form of knowledge has an important property of economic commodity.
Its residents act as if it still were - the courtliness, the extremely polite forms of address long-forgotten in other German-speaking countries, the formal mode of dress.
Was it too soon to suggest she used a less formal mode of address?
Summary: The EU General Affairs Council will see EU Foreign Ministers meeting behind closed doors on December 6 and in formal mode on December 7.
The formal mode of signifying in the quatorzain - the rhyme pattern, the repetition of the number 7 (as in the 4/3 stanzaic structure) - represents a "proportion poetical" that confirms the presence of God; indeed, Heninger posits the identity of sonnet structure and the floor plan of a church (80).
The reference to deontology--the philosophical system whereby one's actions are judged according to a prescribed set of rules or obligations--suggests that Coventry has decided to test himself against abstraction as a formal mode, probing its limits and possibilities in the process.
And it's true that these small works seem to alternate between a direct, formal mode of address centered on material and chromatic relationships and a more elusive, private language that may or may not be "readable" to anyone bar the artist.
That list applies especially well to Shahn's early '30s New York photographs, which showed a continuing preference for the ad hoc over the formal mode that Evans came to favor.

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