Beauvoir relates bad faith to the hetaera
, whose life as a kept woman, she says, is marred by insincerity (Beauvoir 2010, 629-630).
In the highly mobile 21st century, the principal accessory featured is the shoe, as represented by Christian Louboutin, with impossibly high heels and shapes that would torture a Greek hetaera
, a Russian ballerina or a Venetian streetwalker.
The type of helpless damsel Frankel sees recurring in Buffy from time to time is "the 'airhead in love'" (117) or the Hetaera
: "a woman who is primarily committed to the quality of her relational life with her partner" (119).
": She casts upon the world a spell, / in order to possess in full / her lip's melodious distill; / an adamantine villanelle.
And a woman with a hetaera
(courtesan) mask, playing the aulos (a reed instrument) is accompanied by an assistant, an unmasked boy on the left.
More pertinent to Levy, Grote observes that Socrates "visited all persons of interest in the city, male or female: his friendship with Aspasia is well known, and one of the most interesting chapters of Xenophon's Memorabilia recounts his visit to, and dialogue with Theodote--a beautiful Hetaera
or Female Companion." (12) Aspasia, teacher of Socrates and mistress of Pericles (who is credited with writing many of his speeches), plays a key role in Levy's monologue.
In the case of Doktor Faustus, Mann's main character, Adrian Leverkiihn, a musician whose father had belonged to the tradition of Central European Naturphilosophie, embarks on an affair with the archetype of the Hetaera
Esmeralda, a transparent butterfly that loves shadowy realms and is symbolic of an impure, albeit diabolically tempting Philosopher's Stoney Leverkuhn finds his alchemical equivalent in the world of tones--music.
Strikingly, the Athenian hetaera
seems to have had an influence in controlling the production and the reception of her self-fashioned images (210).
The dangers of pleasure are portrayed in comedy in the figures of the chef, parasite and hetaera
Invalidating the equation of decadence and crisis, Rops embodies decadent pleasure by luxuriating in transience: "co 'I suo bulino illustra i baci e le carezze, mirabilmente" (37) [with his burin he represents kisses and caresses, wonderfully] while a crucified hetaera
announces that "I tempi sono prossimi" (37) [the end is approaching].
Simone calls herself a hetaera
' a courtesan' a consort.
The oblate, who was the talk of Adjame-Santey, looked like a hetaera
. She simpered in a French, perfumed here and there with an exotic accent and punctuated with unusual expressions.