impasto

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im·pas·to

 (ĭm-păs′tō, -pä′stō)
n. pl. im·pas·tos
1. The application of thick layers of pigment to a canvas or other surface in painting.
2. The paint so applied.

[Italian, from impastare, to make into a paste : in-, in (from Latin; see in-2) + pasta, paste (from Late Latin; see paste1).]

impasto

(ɪmˈpæstəʊ)
n
1. (Art Terms) paint applied thickly, so that brush and palette knife marks are evident
2. (Art Terms) the technique of applying paint in this way
[C18: from Italian, from impastare; see impaste]

im•pas•to

(ɪmˈpæs toʊ, -ˈpɑ stoʊ)

n.
1. the laying on of paint thickly.
2. the paint so laid on.
3. enamel or slip applied to a ceramic object to form a decoration in low relief.
[1775–85; < Italian, n. derivative of impastare to impaste]

impasto

1. In painting, the thick application of paint.
2. In ceramics, the application of enamel or slip to a ceramic object to form a decoration in low relief.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.impasto - painting that applies the pigment thickly so that brush or palette knife marks are visible
painting - creating a picture with paints; "he studied painting and sculpture for many years"
References in periodicals archive ?
Deeply affected but not intimidated, the artist depicts the turmoil in Tibet with bold strokes and thick impastos of oil on canvas.
The front room was all yellow--eight serial panels of whorls and sunbursts and two larger canvases featuring thick impastos of lemon-colored paint applied largely by brush, with T-shirts flattened into the goo as if crucified.
In the same room, I admired Andrzej Zielinski's small paintings of mundane objects like laptops, each suspiring an unnamable, "existential" persona, all rendered in the absurdly dense impastos reminiscent of postwar European art informel and tachist artists like Soulages, Mathieu, and Fautrier.
Included in her recent exhibition "Salty Air," these pictures are typical of Schulnik's candy-colored impastos of marginal, otherworldly characters.
In Everyone's Momma, 2013, 'Taylor's maternal heroine, accompanied by a horse, coheres from a meeting of quick acrylic strokes, thick impastos, and paint drippings to appear in the foreground below crude renderings of two churches.