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v. im·pro·vised, im·pro·vis·ing, im·pro·vis·es
1. To make, compose, or perform with little or no preparation: improvise a solution to the problem; improvise variations on a melody.
2. To make or provide from available materials: improvised a dinner from what I found in the refrigerator.
1. To make, compose, or perform something extemporaneously.
2. To make do with whatever materials are at hand: There isn't much in the cabin. We'll just have to improvise.

[French improviser, from Italian improvvisare, from improvviso, unforeseen, from Latin imprōvīsus : in-, not; see in-1 + prōvīsus, past participle of prōvidēre, to foresee; see provide.]

im′pro·vis′er, im′pro·vi′sor n.
References in periodicals archive ?
The evening saw compere Rev Dick Crypt lead entertainment from comedy improvisers Impropriety to horrorpunk DJ Tommy Creep and "local undead legends" Zombina and the Skeletones.
Improvisers are open, understanding, supportive, truthful, and listen well.
Closing Ceremony, Sunday STARTING at 5pm, actor Tam Dean Burn, the Sirens of Titan Choir, the Orchestra of Scottish Opera and the Glasgow Improvisers Opera, lead into the closing ceremony on the big screen at the bandstand.
The show allows the audience to control the fate of the performers as improvisers compete against each other between sips of beer.
This is an opportunity to catch three of America's mightiest improvisers at the virile peak of their powers.
The material is rooted in jazz but also incorporates the melodic immediacy of pop and the rhythmic drive of world music, while all the players are hugely resourceful improvisers.
A choreographer with a mission to stretch the parameters of ballet, James Sewell has collaborated with a range of artists from contact improvisers to Argentine tango experts.
The hot-fast team of improvisers reacts to audience suggestions at lightening speed, to create surreal sketches, glorious games and manic musicals.
He aims to show executives the choices and activities jazz improvisers make and how to be spontaneous and balance between constraints and experimentation.
However much the star improvisers of the day might have liked to be compared with Homer, their missions were quite different: "The rhapsode's goal is to recite the best inherited form of a story; the improvvisatore's goal is to display the quickness of his or her intellect by composing original verses during performance, on a theme not meditated in advance" (67).
Each track is about two minutes long, a perfect length for beginning improvisers, and features full-sounding instrumentation and authentic grooves.
The Chums are a changing line-up of some of the best improvisers in the business.