This discourse is articulated by means of two narrative devices commonly used not only in children's fiction, but also in fantasy novels: metafiction and metalepsis
Por ello, consideramos util recuperar el termino "metalepsis
", entendido este no en su acepcion narratologica (4), sino poetica: como el tropo formado por un conjunto de metonimias en el que se nombra o toma al antecedente por el consecuente o viceversa.
A proposito, observese en esta ultima frase una metalepsis
retorica o discursiva.
Wolf in the fourth part (Chapters 19-22) probes into the common yet little explored transmedial phenomena, particularly iconicity and metalepsis
. Specifically, he discusses how iconicity and metalepsis
can be cross-medially applied to different narrative forms.
For those individuals (including most of the Grade 4 students' parents/guardians) who are unfamiliar with metafiction and the concept of transgressing storyworld boundaries (i.e., metalepsis
), the students' metafictive tales are fundamentally new (Cropley & Cropley, 2008, p.
Formally, his argument focuses on the pairing of two devices: first, the monologue, taken to the extreme of solipsistic "vacuum speech" (34); and second, metalepsis
, understood here as a crossing of boundaries between nested discursive frames, or between intra- and extra-textual realities.
Undoubtedly, one of the reasons I got into literary criticism was that each week the sermon--the 'teaching', as it is typically called--was followed by debate: debate over hermeneutics, epistemology, historical criticism, ethical adjudication, reception theory, redaction, and forms--parallelisms, parables, chiasmic narrative structures, metalepsis
, etc.--as well as, occasionally, careful to-and-fro on politics, citizenship.
, Agency and the Phenomenology of Reading in Muriel
A esta transgresion del "umbral de la representacion", Genette le llama "metalepsis
Among their topics are Pseudo-Philo and the Pharisees, a look at the prehistory of rabbinic Judaism, the Aqedah in the Bavli: an analysis of Sanhedrin 89b, midrash and metalepsis
in Genesis Rabbah: a reappraisal of rabbinic atomism, and the lost matriarch in Genesis Rabbah.
All that learning culminated in two albums of her own, Metalepsis
and RIP Chrysalis, both released in 2015.
No hay balbuceos: todo se contiene, se concilia; el canto y la metalepsis
; la fluidez con la contencion; el entorno con la evocacion, lo labil de la emocion interior, como una "sinestesia" versicular, donde lo sonoro se combina con las coloraturas.