monophonic


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Related to monophonic: heterophonic

mon·o·phon·ic

 (mŏn′ə-fŏn′ĭk)
adj.
1. Music Having a single melodic line.
2. Electronics Relating to a system of transmitting, recording, or reproducing sound in which one or more sources are connected to a single channel; monaural.

mon′o·phon′i·cal·ly adv.

monophonic

(ˌmɒnəʊˈfɒnɪk)
adj
1. (Electronics) Also: monaural (of a system of broadcasting, recording, or reproducing sound) using only one channel between source and loudspeaker. Sometimes shortened to: mono Compare stereophonic
2. (Music, other) music of or relating to a style of musical composition consisting of a single melodic line. See also monody3
monophony n

mon•o•phon•ic

(ˌmɒn əˈfɒn ɪk)

adj.
1. of or pertaining to monophony.
2. of or noting a system of sound recording and reproduction using only a single channel.
[1880–85]
mon`o•phon′i•cal•ly, adv.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Adj.1.monophonic - designating sound transmission or recording or reproduction over a single channelmonophonic - designating sound transmission or recording or reproduction over a single channel
electronics - the branch of physics that deals with the emission and effects of electrons and with the use of electronic devices
monaural - relating to or having or hearing with only one ear; "monaural deafness"
2.monophonic - consisting of a single melodic line
music - an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner
contrapuntal, polyphonic - having two or more independent but harmonically related melodic parts sounding together
Translations

monophonic

[ˌmɒnəʊˈfɒnɪk] ADJmonoaural, monofónico
References in periodicals archive ?
the veil is monophonic, one-colored in an assortment of not less than 20 colors according to the type of the trademarks garden, supertekstil, arya or similar.
Compositions for monophonic instruments and fixed media appeared in the middle of the century, with Henk Bading's Capriccio for Violin and Two Sound Tracks being the first known work.
Tracing the path of the absent interlocutor, Tremblay demonstrates that the apparent one-sided structure of the monophonic epistolary novels is in fact a uniquely crafted dialogical structure founded on explicit and implicit references to the seemingly silent and absent writer.
To do this requires not just sending streams from an instrument's output, but also some form of in-network stream mixing on the fly--or, at the very least, a summing of all the instruments' signals, not unlike the way a traditional electric guitar's monophonic pickup sums all six strings.
And we have not yet said a word about these tropes' subsequent musical execution, but neither does Summit throughout most of his book (not before chapter 8 at least, and even there he talks about rather than directly relating to musical properties); nor have we yet to consider that text is sung on Shabbat from a scroll whose Hebrew letters are bereft of both vowelization and tropes, thereby demanding rigorous preparation of exact pronunciation and musical tropes in addition to memorization of what is literally a monophonic invisible score.
There's something special about the sparseness of "Thimar," democratically colored by three largely monophonic instruments, like three wise men in a conversation.
Barbie's audio device is the Nuvoton NAU88U10, a low-power, wideband monophonic audio coder-decoder (codec).
Rachel Golden examines monophonic and polyphonic settings of Latin song in the twelfth-century Aquitanian versarium GB-Lbl Add.
The accumulation of such secretions during anaesthesia could make a monophonic 'wheezing' sound during anaesthesia.
Maalouf and Woeste, who are credited with conceiving the album's arrangement, engage in some measure of harmonic sleight of hand as they embed a chord structure around a melody that was largely monophonic in its original incarnation, as is the case with most Arab music.
Her opening example from Wordsworth is his encounter in a convent with a painting of Mary Magdalene (a holy image in a secular nation), but the real critical work is done in her readings of Coleridge's disorienting "Dejection: An Ode," Wordsworth's own "Ode," and his sonnets, particularly, of course, "Nuns Fret Not." That poem creates, she argues, "an atmosphere whose tone is a monophonic hum, but that hum is the embodied sound of earthly creatures (bees murmuring wildly) going about their business, not an echo from" the Coleridgean I AM.
Further speculation is interrupted by a monophonic chorus of eight male voices rising abruptly from the foyer outside, belting out an Armenian-language chorus.