Gantimpala Theater Foundation and Grand Leisure Corporation's production of 'Maynila sa Mga Kuko ng Liwanag,' which ended its run recently at Kia Theater, Quezon City, was a valiant, earnest attempt to musicalize
a classic work of Philippine cinema and literature.
His first thought was to musicalize
the elusive treasure itself, making music with "shiny metallic objects.
Mallarmes real achievement, however, was not just to musicalize
language but also, and more importantly, to incorporate the white space of the printed page into the formal structure of the poem, leading one to imagine a "cenographic" poem whose surface would resemble the "white paintings" of artists like Kazimir Malevich and Robert Rauschenberg.
Carrie was very weird material to choose to musicalize
, until we thought about it and it didn't seem weird to us at the time, at all.
Composer/lyricists Mann and Weil are taking their first steps into musical theater since an aborted attempt to musicalize
"A Face in the Crowd" in the 1960s.
She has seen students go from being on suicide watch to being leaders in their Changing Voices program, which employs youth who have recently left detention centers to musicalize
PACIFIC OVERTURES SWEENEY TODD (1979) (1976) This decidedly odd venture This gruesome tale of a that explores a century of vengeance-mad London Japan's cultural barber and his interfacing with the cannibalistically Western world was further inclined pie-shop proof of Sondheim's paramour was one of ability to musicalize
Sondheim's biggest anything.
I think it might work even better than the movie because when you musicalize
someone's internal thoughts it opens doors to a lot more emotion.
But you have to wonder which of the numerous plots and subplots in this sprawling narrative, set in turbulent 1917 Russia, creatives Michael Weller (book), Michael Korie & Amy Powers (lyrics) and Lucy Simon (music) would choose to musicalize
In this philosophical tendency, Josipovici's work differs markedly from another attempt to musicalize
fiction on the basis of the same work by Bach: the novel Les Variations Goldberg (1981) by the Canadian author Nancy Huston.
Adam Bock, Todd Almond and helmer Anne Kauffman have succeeded in creating a stage fable of anxiety and glee, and while their show still needs work to deepen and further musicalize
Jackson's tale of small-town persecution and familial murder, even at this stage of development it's a spellbinding tale to see and hear.
I've even been toying in my head: Wouldn't it be interesting to musicalize
this with song and dance?