mythopoeia


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myth·o·poe·ic

or myth·o·pe·ic  (mĭth′ə-pē′ĭk) also myth·o·po·et·ic (-pō-ĕt′ĭk)
adj.
1. Of or relating to the making of myths.
2. Serving to create or engender myths; productive in mythmaking.

[From Greek mūthopoios, composer of fiction, from mūthopoiein, to relate a story : mūthos, story + poiein, to make; see kwei- in Indo-European roots.]

myth′o·poe′ia (-pē′ə), myth′o·po·e′sis (-pō-ē′sĭs) n.

mythopoeia

(ˌmɪθəʊˈpiːə) or

mythopoesis

n
(Literary & Literary Critical Terms) the composition or making of myths
[C19: from Greek, from muthopoiein, from muthos myth + poiein to make]

myth•o•poe•ia

(ˌmɪθ əˈpi ə)

n.
the making or perpetuation of myths.
[1955–60; < Late Latin < Greek mȳthopoiía making of fables, invention =mȳtho- mytho- + -poiia (poi(eîn) to make + -ia n. suffix)]
myth`o•poe′ic, myth`o•po•et′ic (-poʊˈɛt ɪk) adj.
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References in periodicals archive ?
That is to say, Tolkien shows that the creation of a secondary world through the poetic word consists in the exploration or narrative unfolding of the semantic structure contained in it: that mythopoeia is the particular way of telling and participating in the truth of reality through its apprehension and singing in the beauty of speech.
Their exchange serves as a reminder that, for all its responsiveness to current events, Smith's quartet is also developing into a new mythopoeia -- a constellation of stories capable of capturing and expressing our space and time with a truth that is beyond the news feeds.
mythopoeia" points to his belief in "personal mythmaking"
They created their own myths in an attempt to represent humanity in the same light that ancient myth once had, and this genre of literature came to be known as mythopoeia. Rhone defines mythopoeia as "[l]iterary and philosophical myth that reaches toward original myth to reveal divine truth" (120).
The mythopoeia often recalled Mussolini's topical speech to Dalmine industrial plant workers in 1919: "It is labour that in the trenches has consecrated its right to no longer be fatigue, misery or despair, because it must become joy, pride, creation, conquest of men in the free and great homeland, within and beyond the borders" (Mussolini 1919 in Prosperetti, 1940, p.
"On Fairy-stories" is foregrounded as Tolkien's only explicit prose expression of his creative theories, and this is supplemented with observations from his poetic apology for fantasy and myth, "Mythopoeia." This paper also incorporates observations from the applied theorization in two of Tolkien's fiction works: the "Ainulindale" of The Silmarillion and the short story "Leaf by Niggle." Finally, I will close with some general observations about the significance of Thompson's theoretical influence on Tolkien and how we might revisit or reimagine some of Tolkien's writerly methods, decisions, and habits in light of this knowledge.
It is, in effect, an ersatz form of religion for a secular age, countering its vulgarity with a higher wisdom" (1) Wole Soyinka, who is considered worldwide as the fountainhead of the African tragic thought, fashioned a modern theory of a Yoruba African tragedy in retrieving the old forms of knowledge that the gods and the traditional African mythopoeia represented and inserted them as he sees apt to dramatize about a modern changing age.
As commentators have long recognized, the infinite establishes one of the major contact zones between Blake's mythopoeia and the traditions of material science so integral to Blake's body of writing.
Scholars of English literature examine Anglophone diasporic literature from the perspectives of myths of nation-building, dis/locations: clashes and conflicts, and imaginary dislocations: from mythopoeia to the relocation of myth.
As Philip Shaw has observed in his study of literary accounts of Waterloo, the battle was resistant to poetic mythopoeia because it already appeared in post-war British culture as a sublime romance.
The single most important device for generating coherence in the poem is the consistent second-person address directed at the title figure Elis, who also becomes a locus for Esselborn's second key aspect of Trakl's mythopoeia: the repetition of archetypal scenes ("Wiederkehr und Ende" 93-94).
In my artistic pursuit imageries of my works are drawn from a world of mythopoeia. In the momentary lapse of reason they appear suddenly as a shooting star in the horizon of my mindscape.