neo-impressionism


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Related to neo-impressionism: divisionism, Post-impressionism

ne·o·im·pres·sion·ism

or ne·o-im·pres·sion·ism  (nē′ō-ĭm-prĕsh′ə-nĭz′əm)
n.
A movement in late 19th-century painting led by Georges Seurat that was stricter and more formal than impressionism in composition and employed pointillism as a technique.

ne′o·im·pres′sion·ist adj. & n.

ne•o-im•pres•sion•ism

or Ne•o-Im•pres•sion•ism

(ˌni oʊ ɪmˈprɛʃ əˌnɪz əm)

n.
a late 19th-century French artistic theory and practice, characterized chiefly by the use of pointillist techniques.
[1890–95]
ne`o-im•pres′sion•ist, n., adj.

Neo-Impressionism

Pointillism.
See also: Art
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References in periodicals archive ?
Nisra Ahmed's painting was the combination of modern abstract expressionism and neo-impressionism. The artist is highly inspired by literature, mid century and modern art.
His ingenious assemblage of cloth and mastery of color combination renders his patchwork in a fashion as if inspired by Neo-impressionism.
Further landscapes in the NGS exhibit (like Paul Signac's 'The Red Buoy, '1895) illustrate the movement toward 'Neo-Impressionism.' While the initial movement played around with free brushstrokes, the later development aimed at 'a modern synthesis of methods based on science,' Perrin said.
Fast-forward a few years to 1886 when Georges Seurat delivers his masterpiece A Sunday Afternoon on the Island of La Grande Jatte and a new movement: Neo-impressionism. Around the same time, another group of artists, including Paul Cezanne, were known as Post-impressionists.
"Color, Line, Light" is organized chronologically into sections that correspond roughly to five major stylistic movements that flourished during the 19th century: romanticism, realism and naturalism, impressionism, the Nabis and symbolists, and neo-impressionism. The works encompass nearly all of the graphic media used by artists during the period, most types of drawings they made (compositional sketches, figure studies, and finished pieces that were complete works of art in themselves), and a broad range of the subjects they treated (landscape, genre, portraits, and interiors).
Excerpts from From Eugene Delacroix to Neo-Impressionism (1899) [cited 2012 Aug 24].
"Neo-Impressionism? Some Examples of Austen Criticism and Their Import for Current Critical Discourse." A.U.M.L.A.
Protoplasm theory brought together the fields of energy and evolution, and Brain takes the reader from the scientific foundations in England (Huxley) and Germany (Haeckel), through the undulating lines in graphic recording instruments used by physiologists, to the aesthetic products two and three decades later in Neo-Impressionism, Symbolism, and Art Nouveau.
This superb show revisits the techniques of Divisionism and neo-Impressionism through 37 oils, including works by Paul Signac (1863-1935) and Le Sidaner (1862-1939).
The international movements included in the exhibition are Les Primitifs, the Nazarenes, the Pre-Raphaelites, William Morris and Arts and Crafts, the Cornish Colony, Neo-Impressionism, De Stijl, the Bauhaus, and Russian Constructivism.
She describes features and influences, and profiles leading figures in realism, naturalism, and academia; from impressionism to neo-impressionism; and aestheticism and symbolism.
It lasted until 1893, when some of its members, to Ensor's dismay, declared their allegiance to neo-Impressionism.