(nō′wĭth′ər, -hwĭth′-)
In no definite direction.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.


archaic to no place; to nowhere
[Old English nāhwider. See neither]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014


(ˈnoʊˌʰwɪð ər, -ˌwɪð-)

to no place; nowhere.
[before 900; Middle English nohwider, Old English nāhwider. See no1, whither]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
References in classic literature ?
How was it that in the weeks since her marriage, Dorothea had not distinctly observed but felt with a stifling depression, that the large vistas and wide fresh air which she had dreamed of finding in her husband's mind were replaced by anterooms and winding passages which seemed to lead nowhither? I suppose it was that in courtship everything is regarded as provisional and preliminary, and the smallest sample of virtue or accomplishment is taken to guarantee delightful stores which the broad leisure of marriage will reveal.
The river seemed to come from nowhere and flow nowhither. It flowed through a void.
'Nowhither - it was a small march, and all this'- Kim waved his hands abroad - 'is new to me.'
to be swept away to become a rider on the random wind; the tossing wind; the trampling and neighing wind; the horse with the blown-back mane; the tumbling, the foraging; he who gallops for ever, nowhither travelling, indifferent; to be part of the eyeless dark, to be rippling and streaming, to feel the glory run molten up the spine, down the limbs, making the eyes glow, burning, bright, and penetrate the buffeting waves of the wind.
The crampt and darkened rooms, the narrow smooth-walled passages with recesses where a man might wait for his enemy unseen, the maze of ascending and descending stairs leading nowhither, the ever-present screens of marble tracery that may hide or reveal so much,--all these things breathe of plot and counter-plot, league and intrigue.
The only way to orient oneself in the vast web of interlocking centers is to "set your eyes on one movement and it will lead you through all patterns and it will seem to you the master movement." We are offered assurance that "the seeming will be true," but the concluding stanza relates the disturbing tension between "seeming" and "truth" to an ineluctable element of trial and testing in this world: "Yet this seeming also is the end and final cause for which He spreads out Time so long and Heaven so deep; lest if we never met the dark, and the road that leads nowhither, and the question to which no answer is imaginable, we should have in our minds no likeness of the Abyss of the Father, into which if a creature drop down his thoughts for ever he shall hear no echo return to him.