obbligato


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ob·bli·ga·to

also ob·li·ga·to (ŏb′lĭ-gä′tō)Music
adj.
Not to be left out; indispensable. Used of an accompaniment that is an integral part of a piece.
n. pl. ob·bli·ga·tos or ob·bli·ga·ti (-tē) also ob·li·ga·tos or ob·li·ga·ti
An obbligato accompaniment.

[Italian, past participle of obbligare, to obligate, from Latin obligāre, to oblige; see oblige.]

obbligato

(ˌɒblɪˈɡɑːtəʊ) music or

obligato

adj
(Classical Music) not to be omitted in performance
n, pl -tos or -ti (-tiː)
(Classical Music) an essential part in a score: with oboe obbligato.
[C18: from Italian, from obbligare to oblige]

ob•bli•ga•to

(ˌɒb lɪˈgɑ toʊ)

adj., n., pl. -tos, -ti (-ti) adj.
1. (used as a musical direction) obligatory; not to be omitted.
n.
2. a musical line performed by a single instrument in accompaniment to a solo part.
3. a continuing background motif.
[1715–25; < Italian: obliged]

obbligato

essential
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.obbligato - a persistent but subordinate motif
motif, motive - a theme that is repeated or elaborated in a piece of music
2.obbligato - a part of the score that must be performed without change or omission
section, subdivision - a self-contained part of a larger composition (written or musical); "he always turns first to the business section"; "the history of this work is discussed in the next section"
Translations

obbligato

[ˌɒblɪˈgɑːtəʊ] (Mus)
A. ADJobligado
B. N (obbligatos or obbligati (pl)) → obligado m
References in periodicals archive ?
Together, their editions comprise scores for piano, voice, and obbligato instruments.
NEC Corporation today announced the global commercialization of industry-specific Product Lifecycle Management (PLM) templates to enable a quick, low-cost and high-quality introduction of the Obbligato III PLM solution, which consolidates the management of product technology data such as design drawings, specifications and bill of materials (BOM).
Her coloratura aria "Parto, parto, ma tu ben mio" with obbligato clarinet is supremely elegant, and in Act II, her trio with Tito and Publio is gripping at every turn.
The conductor benefited Dvorak's piece with pregnant rhythmisation, sharp accents in the brass instruments, pointed tempos and dozens of minor details, such as fierce crescendos in the cellos or highlighting of the solos in the winds--the bass clarinet, trumpets, and the horn obbligato in the opening Maiden's prayer.
The recital opened with Benedict's 'Gypsy and the Bird' with stunning flute obbligato from Maigue.
But we also cannot deny the sustained intensity of Downes' engagement, and the strength of this performance (Duncan Honeybourne scintillating in the important organ obbligato - and what depth of string tone
The new ProChemist/BM and Obbligato III allow enterprises to manage and utilize "compliance assessment information" concerning the inclusion or non-inclusion of particular chemical substances and "composition information" concerning the types and amounts of chemical substances, both of which are required for reporting with the chemSHERPA scheme.
They were lithe and loose on the Charles Trenet Song Beyond the Sea (accompanied by really swinging piano from Chris Pulleyn) and for a highly appealing account of Walking in the Air, choir member Benedict Stubbs stepped forward to execute a very nice violin obbligato.
104-11), verse 4 of Ich bin ja, Herr, in deiner Macht, Insistent dotted rhythms and an obbligato part for Waldhorn help illustrate the foreboding text describing the Day of Judgment.
The opening movement quite rightly emphasised the music's folklore narrative, the andante was full of veiled fantasy launched by the whispering tones of the CBSO strings, and the finale was a louche dance of death, the pearly bass-drum obbligato grimly delivered by Andrew Herbert.
The program will also showcase a performance of Ernest Bloch's Concerto Grosso for String Orchestra and Piano Obbligato, featuring pianist Loren Fishman, and Nativity after John Donne - a new work by local composer Justin Merritt.
Teh concert included a string trio covering the obbligato accompaniment parts and the result -- owing to the fortepiano's relatively limited ability to project -- was that the piece sounded more like a piano quartet with a very active keyboard part than a concerto.