Vitruvius thinks of matter in atomistic terms and employs atomistic language and imagery even as he attempts to overgo
Lucretius with claims of supernatural physical firmitas.
(55.) Reading the Tamburlaine plays as Marlowe's "attempt to overgo
Spenser as England's new national poet," Patrick Cheney argues that Marlowe rewrites Spenser's priorities through "many documented borrowings from Spenser" and inversions of Spenserian preoccupations.
Spencer may have sought to "over-go Oriosto," and Blake wrestled famously with Milton's angel, but what would it mean to "overgo
" Walt Whitman?
The Milton who donned the mantle of a Tiresias to overgo
his epic predecessors is "an uninspired literary Milton, a Milton who lives in a hall of textual mirrors," not the historical Milton who "lived during the apogee of English prophecy" (200, 196).
Rebecca is due to overgo
another operation on Friday.
This work opens with a long meditation entitled "The Interpretive Shuttle; The Structure of Critical Practice after World War II," which is partly Berger's reminiscence about the heritage of the New Criticism in English Studies, and partly a reflection on the methodological challenges posed by Deconstruction, New Historicism, and Cultural Studies as attempts to overgo
the New Critical heritage.
Consider how the journalistic immediacy of Childe Harold enabled Byron to overgo
the Spenserian poems recently published by Campbell and Scott.
In one of his letters to Gabriel Harvey, Spenser remarks that he hopes to 'overgo
Ariosto', while in his letter to Ralegh prefacing The Faerie Queene, Spenser refers as familiarly to Ariosto and Orlando as to Homer and Achilles and Virgil and Aeneas.
What does Radford's film offer to counter, claim, or overgo
those forms of authority?
Recently, >10 600 maize unigenes were used as the sequence source for overgo
probes that were hybridized to high-density BAC filters (Gardiner et al., 2004).
While at times he reassured the House that he respected their liberties and that he never intended to overgo
the traditional bounds of monarchic authority, (66) yet he would then reignite their fears by asserting, as firmly and as unambiguously as possible, his absolutist conception of kingship.
Tricomi, for example, points out that Shakespeare literalizes the play's metaphors (one being the synecdoche, evidenced in the sixty references to the word "hands" and eighteen more to "head") in order to overgo
his source, Ovid, by heightening the horror (17, 19).