paisan


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pai·sa·no

 (pī-zä′nō) also pai·san (-zän′)
n. pl. pai·sa·nos also pai·sans
1. A countryman; a compatriot.
2. Slang A friend; a pal.

[Spanish, from French paysan, from Old French paisant, peasant; see peasant.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

paisan

(paɪˈzæn)
n
1. (Peoples) a fellow countryman
2. (Peoples) US an Italian-American
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
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References in periodicals archive ?
"Hey, paisan -- same as usual," said John O'Rourke to Mr.
In 1947, the site of the old opera house became a sinehan that opened on April 14 with a first-time local screening of the Gregory Peck-Jennifer Jones starrer Duel in The Sun, then two Roberto Rossellini films, Paisan and Open City.
Food options for North-siders only include Paisan's Pizza, Hugo's Frog Bar and Fish House, Cold Stone Creamery and Cookout on Wheels.
Born in Tuscany on 1929, Vittorio originally studied law at the University of Pisa alongside his brother, and took an interest in Cinema after viewing director Roberto Rossellini's 1946 film "Paisan".
I realize now that somewhere along the way Dave went from paisan to consigliere, offering advice and encouragement on how to get through the most difficult of things.
We thank Paisan Jitthrontham, Research Center, Faculty of Medicine Ramathibodi Hospital, Mahidol University, for technical assistance.
Paisan et al., "Severe spondylocostal dysostosis associated with other congenital anomalies: a clinical/epidemiologic analysis and description of ten cases from the Spanish registry," American Journal of Medical Genetics, vol.
El proyecto, redactado por los arquitectos de la Direccion General de Arquitectura Luis Diaz-Guerra y Milla y Ramiro Avendano Paisan, y atribuido con frecuencia al reconocido arquitecto Luis Moya Blanco, se aprobo en 1941 y fue modificado en 1944.
In Paisan (1946), the second film in Roberto Rossellini's wartime trilogy, a drunken African American soldier named Joe meets Pasquale, a young Neapolitan urchin.
Jirachaya Wanichanuwat, Alongkorn Pugasub, Paisan Jittorntam, Anucha Kongsomgan, and Supanna Petraksa participated in the data acquisition and analysis.
"Paisan" from Italy earned a nomination while "The Hasty Heart" and "Sands of Iwo Jima" garnered five.