parergon

parergon

(pəˈrɛəɡɒn)
n, pl -ga (-ɡə)
(Industrial Relations & HR Terms) work that is not one's main employment
[C17: from Latin, from Greek, from para-1 + ergon work]
References in classic literature ?
Casaubon had adopted an immediate intention: there was to be a new Parergon, a small monograph on some lately traced indications concerning the Egyptian mysteries whereby certain assertions of Warburton's could be corrected.
Catherine Mann has shown the importance of hangings, carpets and screens for the decoration of an English noblewoman's lying-in and birthing chamber; Catherine Mann, "Clothing Bodies, Dressing Rooms: Fashioning Fecundity in the Lisle Letters," Parergon 22 (2005): 154-56.
60) Joe Stephenson has also commented on the conflation of the governor's wife with Antwerp in 'A Mirror for London: The Geopolitics of Alarum for London at the Globe in 1599', Parergon 30 (2013), 190, https://doi.
Ao encarnicar-se em sua efigie, imitando imita-lo em uma serie de reproducoes simuladas, o parergon transforma o paradigma em dejeto, algo fora de uso.
Derrida acude a la voz griega parergon para describir su propio discurso como "cosa accesoria poco importante, adicion o apendice".
3) Helen Vella Bonavita, "Maids, Wives and Widows: Multiple Meaning and Marriage in The Witch of Edmonton," Parergon 23, no.
Traducido tambien como <<objeto accesorio>>, <<extrano>> o <<resto>>, el parergon se encuentra junto a la obra ya producida, no siendole entonces ajena, y coopera con ella desde un cierto afuera.
Ce dernier n'est plus le parergon, celui qui encadre la representation narrative.
In some cases, the significance of the artefact was not always well understood, or even appreciated, and it falls to modern scholars to unlock the treasures contained in New Zealand collections and bring them to the notice of a readership that extends across the world, both in the circulation of the print version of Parergon, and online.
108's Havelok the Dane and Royal Vitae," Parergon 25.
Derrida, por su parte, utiliza el concepto de parergon, a traves del recurso etimologico de caracter anfibologico que porta el prefijo para--con/contra--, para senalar la coexistencia metonimica del trazo en el adentro y el afuera del marco de la obra: "Queda un espacio por abrir para darle lugar a la verdad en pintura.