pictography

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Related to pictography: pictogram

pic·to·graph

(pĭk′tə-grăf′)

1. A picture representing a word, phrase, or idea, especially one used in early writing systems.

2. A pictorial representation of numerical data or relationships, especially a graph, but having each value represented by a proportional number of pictures. In both senses also called pictogram.

[Latin pictus, past participle of pingere, to paint; see peig- in Indo-European roots + -graph.]

pic′to·graph′ic adj.

pic′to·graph′i·cal·ly adv.

pic·tog′ra·phy (pĭk-tŏg′rə-fē) n.

pic′ture writ`ing

a method or system of recording events or expressing ideas by pictures or pictorial symbols.

[1735–45]

pictography

the use of pictorial symbols to communicate; picture writing with symbols that may be either ideographic or phonetic in function. — pictograph, n. — pictographic, adj.

See also: Writing

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References in periodicals archive ?

Finally, the rich use of pictography and symbolism personalizes the process.

Mandala In Your Mind

The dictionary of ancient pictography. Japanese Chan Dynasty, Tokyo.

El antiguo libro turco de razonamiento y revelacion "Irqbitig" del siglo X

(a) Stone block inside the temple structure with a Confluence style pictography, (b) details of camelid pictographs using D-Stretch-Image J (image provided by Wilfredo FaundesJ.

Presencia de un centro ceremonial formativo en la circumpuna de atacama

The latest research of these ancient codices has convincingly shown that their pictography is a true writing system composed of images and signs made and interpreted conventionally and read poetically (4).

Reading maize: a narrative and psychological approach to the study of divination in Mesoamerica

The Writing-On-Stone shield bearing warrior's shield design (Figure 4) is readily identifiable as a dragonfly by its double wings and split tail, which are the most consistent characteristics of the motif when drawn in Plains pictography (Green 2012; Wissler 1907:32-39).

The dragonfly shield at writing-on-stone

(14) Assmann's notion of the scriptural turn does not only emphasize the passage from pictography to characters that had been noticed by William Warburton and Giambattista Vico before him, but most of all the passage from orality to literacy, which, in the study of religions, also has a systematic relevance because it serves as a category to distinguish primary religions characterized by cults of images from secondary ones that are founded on holy texts.

Sacral image--scripture--body--art: on a fundamental media theory of mono-theism

Allow students time online to research common pictography in Australian Aboriginal art.