pictorialism


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pictorialism

(pɪkˈtɔːrɪəlɪzəm)
n
(Photography) photog a movement in photography that occurred in the late 19th and early 20th century and whose aim was that photography should be more artistic and should imitate the paintings of the time

pic•to•ri•al•ism

(pɪkˈtɔr i əˌlɪz əm, -ˈtoʊr-)

n.
the creation or use of pictures or visual images, esp. of recognizable or realistic representations.
[1865–70]
pic•to′ri•al•ist, n.
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This poor benighted work is actually a masterpiece of musical pictorialism, and this performance from Tasmin Little and the joyously fresh-sounding Orchestra of the Swan brought it up shiny and new.
Chapter 5, "Afternoon of a Faun: Pictorialism, Dance and the American Arcady," might seem an uncharacteristic interlude in this book that mostly ranges across Europe, but it proves to be crucial.
He does, however, emphasize the importance of Chinese immigrants in the development of photography from the start of the twentieth century and the ensuing domination of Pictorialism or "salon photography" in photographic practices and in photographs themselves until the late 1970s.
He's never been particularly plotty, thank goodness, but this story entails reversals and twists that demand structural and subtextual craftiness -- Hitchcockian turns and feints -- that play second fiddle to mood, tone and extravagant expressive pictorialism.
Riviere again confronted the odd pictorialism of Arman's Accumulations in 1961, when she reviewed two realist exhibitions in Paris that included his work.
During the first decade of the century with the Prince now King, de Meyer embraced two passions: mingling with the Edwardian elite and dedicating himself to the art of Pictorialism, a prominent movement in photography from the 1890s to the First World War where photographers attempted to bring their images to the level of fine art.
Bury abandoned pictorialism in favor of "the sculpturally symbolism, the visceral, and ultimately the metatheatrical." The chapter discusses the directorial and design contributions of Peter Brook, whose work at the Royal Shakespeare Company ultimately influenced his groundbreaking book, The Empty Space.
It explores how a persistent tradition of 'pictorialism', or 'salon photography' influenced practitioners for a long time, while tracing the emergence of documentary photography and the problematic relationship between photography and visual arts.
Instead, she embraced the new technology of portable cameras and innovative techniques in pictorialism. Pictorial photographers did not use the camera to record a moment in time, such as a portrait or a special event, but rather displayed a subject, props, and environment to create an artistic, emotional image.
The struggle of Vinyl's static pictorialism with movement is ideally
With a design based on the Chevalier lens made for Louis Daguerre's camera, the Lomography Art Achromat 64mm f/2.9 lens integrates the Waterhouse Aperture Plate system that lends the ability for a wide variety of bokeh, and the lens itself can focus razor sharp, or silky soft, for depicting pictorialism in a style that is reminiscent of Edward Steichen's photographic works.