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v. re·ver·ber·at·ed, re·ver·ber·at·ing, re·ver·ber·ates
1. To resound in a succession of echoes; reecho: Thunder reverberated in the mountains. See Synonyms at echo.
2. To be filled with loud or echoing sound: The theater reverberated with the speaker's voice.
3. To have a prolonged or continuing effect: Those talks with his teacher reverberated throughout his life.
4. To be repeatedly reflected, as sound waves, heat, or light.
1. To reecho (a sound).
2. To reflect (heat or light) repeatedly.
3. To subject (a metal, for example) to treatment in a reverberatory furnace.

[Latin reverberāre, reverberāt-, to repel : re-, re- + verberāre, to beat (from verber, whip; see wer- in Indo-European roots).]

re·ver′ber·a·tive (-bə-rā′tĭv, -bər-ə-) adj.
re·ver′ber·a·tive·ly adv.
re·ver′ber·a·tor n.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Adj.1.reverberative - characterized by resonance; "a resonant voice"; "hear the rolling thunder"
reverberant - having a tendency to reverberate or be repeatedly reflected; "a reverberant room"; "the reverberant booms of cannon"
References in periodicals archive ?
Jacobs-Jenkins's Everybody deals with "the summoning of every man to death," and investigating the piece in the wake of Houghton's passing has "felt reverberative and complex and meaningful.
In addition, Cardenio is both the protagonist of the longest and most important of the interpolated stories (six in total) and also a relevant character within the main plot, an antagonist furnishing a reverberative but potentially undermining counterbalance to the protagonists weight.
As a research note by Standard and Poor's seemed to suggest this month, an ongoing commitment to infrastructure development is one thing, but for it to lever the type of economic growth whose benefits can be reverberative it needs to be complemented by labour skills building upon the sheer capital outlay.
Here is scholarship emblazoned with style, his trademark pithy phrasing leaning into, when so required, a candid and sincere appreciation of what happens when poetry works best, as in his magisterial essay on Michael Hartnett, or his warm appreciation of the work of Peter Fallon of the Gallery Press, or the three essays on Seamus Heaney which note a genius at "transmuting observation and experience into language of great physical and reverberative precision.
They are reverberative in a broader and different way to the sounds and vibrations created by churning engines, spinning wheels, and burning fuel.