Laura Auricchio's essay focuses on civic engagement through the amateur artist Baroness Hyde de Neuville's egalitarian depictions of daily life and the vernacular in New York in the early 1800s, including sympathetic images of African American workers such as her sketch of a scrubwoman
Just as Quinn systematically traverses the streets of Manhattan to document his target's moves, Reznikoff walks to observe and register how the modern world devours its maladjusted inhabitants: "A Beggar Woman," "Scrubwoman
," "The Idiot." In his poetic imagination, it is usually the hostile and inhuman force that eats a frail individual:
One common version of his appeal tells of a scrubwoman
who had attended one of his lyceum lectures.
Hunter Diana Devereaux Sarah Knowlton Scrubwoman
Lauren Marshall Maid Nina Ragaz French Ambassador, Guide Fred Berman Senate clerk Matthew LaBlanca Supreme Court Justices Garrett Miller, Greg Roderick, Kevin Burrows, Jeremy Davis With: Laurena Barros, Leanne Bowman, Kellie Drinkhahn, Stacey Harris, Joshua Phillip Huff, David Sattler, Lindsay Marie Thomas, Ben West, Jessica Wright
Castel-Bloom studied film at Tel Aviv University, which may explain the use of screenplays, and there are cinematic techniques evident in her current novel, Human Parts, which deals with an ensemble cast of characters ranging from the impoverished Kati Beit-Halahmi, a scrubwoman
from Lod, to Reuven Tekoah, the president of Israel; transitions between the characters often occur as visual segues, when they pass each other on the street, or drive along the same road from different directions.
Karen Garibay plays a Scrubwoman
; her husband, Manuel, is Matthews; and their daughter, Victoriana, is a Secretary.
It begins with the narrative of a scrubwoman
("School for my child was my greatest dream") and ends with the conclusion of her child's story ("Manuel was killed one week before he started school by a stray bullet").
It makes you want to be another scrubwoman
Marla Schaffel (Broadway's Jane Eyre), as a scrubwoman
, nicely recalls the Marilyn Miller spotlight turn with "Look for the Silver Lining" as well as Gertie Lawrence's rendering of "My Ship" from "Lady in the Dark." As Fanny Brice, Schaffel rather strains for laughs as she sings "You Made Me Love You."
From Hester Street to Hollywood, from "Scrubwoman
to Novelist," as the New York Herald wrote in 1923, Anzia Yezierska had become, for a time, the apotheosis of the American dream.
Stickney made her Broadway debut in "The Squall" (1926) and subsequently registered with audiences in a string of hits, portraying eccentric characters including Liz, the mad scrubwoman
in the original nonmusical version of "Chicago" (1926).