This year alone Sally has had two sculptures accepted for a Royal Society of Marine Artists exhibition at the Mall Galleries in London; three of her sculptures are currently being shown by the Society of Wildlife Artists at the Mall; a sculptural relief
was short-listed for the National Open Art Competition; and she has just seen four pieces shown in the Society of Graphic Fine Art annual exhibition at the Menier Gallery in London - one of which was runner-up for the Visitors Choice Award.
Castellani's monumental work was commissioned as a key part of the immersive experience of the house, a luminous white wall turned into a sculptural relief
due to the nails beneath the canvas that lend its surface dynamism from the play of light.
A friend of mine works at Matix Clothing in California, and I get great insights from their cutting-edge design, colors and textiles," explains Hewes at the store's new digs on Main Street, where clients are clamoring for hip sculptural relief
tiles in glass and ceramic.
While still restricted to a black and white palette, the painted surface imagery is freed from constraints and boundaries, freely following and caressing the form and sculptural relief
of the surface.
The sculptural relief
, Kind of Blue, is approximately six feet high and five feet wide, and was fabricated in blue-painted aluminum by Kevin Barrett, who exhibits his work in galleries and museums nationally.
The process is a way of building up a sculptural relief
on a surface using successive layers of slip.
I find particularly inadequate her discussion of the artistic narrative conventions, that is, the ways in which stories are depicted in sculptural relief
The outcome was a wall decoration that had the satisfying fixity of a sculptural relief
, even as its figural and vegetal protagonists seemed to hover over its surface.
Bogart's I Don't Know, 2008, is as much a sculptural relief
as an agitated painting.
Attaching the papier-mache masks created a unique sculptural relief
The lobby, filled with artworks by Richard Lippold and Josef Albers, seemed to be trying too hard to compensate for the structure's overall lack of interestingness; the same was true of Edward Larrabee Barnes and Charles Forberg's wonderfully evocative, Saarinen-like lobby design--all white swooping forms and low-slung furniture and sculptural relief