"Yes, Miss, but I don't believe he's seeable
What Leslie Hill and Helen Paris call the "architectural Puritanism" (6) of the modern stage leads to a displacement of the senses; (7) sight and sound become primary; atmosphere, that almost paradoxical "quasi objective" (8) experience between subject and object that is breathable but not seeable
, is sucked out of the space.
However, they cannot be produced economically on a large scale in a fore seeable
time, if at all.
as operating--and pathways for optimal
He wrote: "I didn't pan over because there wasn't anything (seeable
to me) over there.
Mayor Lin stated that considering the need of elderly with disabilities to have emergency treatment during night time or holiday, Hsinchu City Government collaborated with 2 taxi companies and launched an elder transportation service with reasonable price and runs 24 hours a day, 365 days a year; creating a long-term care system that is findable, usable, seeable
, and payable.
A poem came to be formed by what was discernible, perceptible, seeable
He refers to prakriti throughout his text as the seen, or the seeable
. When read through a nondual lens, the dualistic metaphysics of purusa and prakriti are seen as distinguishable, separable but not separate.
Hochberg attempts to formulate what is seeable
in the conflict and the different power relations and actors that determine the possibilities for that visuality.
When the narrator (whose own temporal positioning is sufficiently unclear) demonstrates the outlandish cartographic details relating to the atlas, his heedlessness to spatio-temporal fixities and distinctiveness is eminently seeable
. For we are informed that the atlas "reveals (in advance) the form of cities that do not yet have a form or a name" (126) as is evident through its possession of cities like Amsterdam, York and New Amsterdam (also known as New York) with all their characteristic features and forms at a time when they were absolutely traceless on Earth.
We support Mitchell's approach, as well as his description of the relationship between words and images--namely what, with reference to Foucault, he calls the 'sayable' and the 'seeable
Walter explains that modernists experimented with optical impersonality through "imagetextuality"--that is, the blurring of the line between the seeable
and the sayable--a term that Walter borrows from W.