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Related to tapestried: Aubussons


n. pl. tap·es·tries
a. A heavy cloth woven with rich, often varicolored designs or scenes, usually hung on walls for decoration and sometimes used to cover furniture.
b. A cloth embroidered with designs or scenes, especially one made in the Middle Ages.
2. Something felt to resemble a richly and complexly designed cloth: the tapestry of world history.
tr.v. tap·es·tried (-ĭ-strēd), tap·es·try·ing, tap·es·tries (-ĭ-strēz)
1. To hang or decorate with tapestry.
2. To make, weave, or depict in a tapestry.

[Middle English tapiceri, tapstri, from Old French tapisserie, from tapisser, to cover with carpet, from tapis, carpet, from Greek tapētion, diminutive of tapēs, perhaps of Iranian origin.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.


(ˈtæp ə strid)

1. furnished or covered with tapestries.
2. represented in tapestry, as a story.
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Adj.1.tapestried - hung or decorated with tapestry
adorned, decorated - provided with something intended to increase its beauty or distinction
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
References in classic literature ?
The closet into which D'Artagnan and Porthos had been ushered was separated from the drawing-room where the queen was by tapestried curtains only, and this thin partition enabled them to hear all that passed in the adjoining room, whilst the aperture between the two hangings, small as it was, permitted them to see.
Haidee's only reply was to direct her servant by a sign to withdraw the tapestried curtain that hung before the door of her boudoir, the framework of the opening thus made serving as a sort of border to the graceful tableau presented by the young girl's picturesque attitude and appearance.
She clarifies Adnan's ironic use of the telegram--her many STOPs used throughout the text as both messages sent and cries for order amid the general chaos; --and she takes no step backward in delineating the militant message of warning that underlies Adnan's creation of verbally tapestried plateaus of cries and admonitions: that colonialisms, within and from without the Arab world must end of there will be an Armageddon such as never before has visited the people of the world.