Otherworld Theatre Company, founded in 2012 to theatricalize
science fiction and fantasy tales, presents "Moon, Prism, Power
After all, as a theatre practitioner how do you theatricalize
what happened on September 15th, 2008, as the Great Recession was born?
If she decides to theatricalize
her own masquerade, she may be able to turn the phallic stratagem of transforming the woman into a mirror against itself.
The crude stereotyping of Svengali and the female English singer Trilby contrasts with the much more nuanced portrait of James's heroine, but both fictions theatricalize
ethnic conflict and identity.
The two works theatricalize
Guernica, and in doing so participate in an ongoing conversation across the arts about the role of the author/artist (whose responsibility for a written text was coming under increasing scrutiny), and ways to reconfigure the relationship between an audience and works of art of all types.
In Michael Fischer's apt words, "by not making ourselves present to other people, we theatricalize
them, turning their lives into a spectacle and their world into a stage that we (only) view.
Luhrmann told the San Francisco Chronicle: "What we're doing now is really the antithesis of what we were trying to do with `Moulin Rouge,' which was to theatricalize
film -- to heighten the sense that you were watching something staged.
33) The Man of Mode and The Rover self-consciously theatricalize
the process of amnesia (with varying degrees of cynicism and critical distance) by embodying libertine transgression in a lover dramatically expelled.
But this conflation of textual inside and outside also carries a political significance, which Morrison describes in "Unspeakable Things Unspoken," her Tanner Lecture on Human Values, as an attempt to produce a novel that "would not theatricalize
itself, would not erect a proscenium" between book and reader.
They "see only Nora's wild body, which they theatricalize
in the moment in which it is most genuinely expressive" (240).
He employs a dialectical analysis to observe that the exotic violence of Titus Andronicus functions not only to theatricalize
power in Renaissance England but as a spectacular diversion from the common and undramatic governmental violence aimed at England's general populace: penal hangings that snuffed out the lives of thousands of English people.
This obdurate, static restaging only serves to theatricalize
and concretize a practice that always resisted these tendencies, that deliberately courted ineffability, and that was never intended to coalesce into anything that could be deemed an "installation.