tone cluster


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tone cluster

n.
A dissonant group of closely spaced notes played at the same time.

tone cluster

n
(Classical Music) music a group of adjacent notes played simultaneously, either in an orchestral score or, on the piano, by depressing a whole set of adjacent keys
References in periodicals archive ?
Out of the opposing tonal and atonal pitches emerges a tone cluster that serves as pitch reference to the performers.
38) CLUSTERS By far the most common symbol in Many contemporary pieces include non-traditional notation and clusters, which are formed by techniques is the tone cluster playing adjacent keys--from a few .
Shout all together, play a quiet long note, stop, play a loud short note, 1/8 notes on a Bb major triad slowly getting louder then end with a long tone cluster.
Finally, linking the warm-ups directly to the repertoire by "tuning up" in the key to be sung, (or singing tone clusters if one is singing contemporary music, for example) is a helpful way to sequence the rehearsal so that the warm-ups lead seamlessly to the repertoire for rehearsal.
Essentially atonal, it makes use of spoken text (drawn from Nietzsche and Heiner Miiller) and chorus on prerecorded tape, dense tone clusters, an orchestra of winds, percussion and harp, with extra percussion instruments played on stage by the cast, and expressive vocal lines which rarely ask the 26 solo singers to do anything other than sing beautifully.
The tone clusters which built up here were, again, spine-tingling and quite beautiful.
The piano part in the first movement contains passages of tone clusters (all notated in accidentals) in eighth notes, as well as chromatic sixteenth-note passages in extremely demanding patterns.
Here the connection between the music and the drawings crystallized; weblike parabolic mutations mirrored the swoops and soars of massed tone clusters, stacks of vertical lines paralleled jagged bursts of seeming white noise, and a series of a mountainous peaks was transmitted as a low drone with sirenlike glissandi arcing overhead.
164-166), Schneider describes the material as a "stormy, octatonically inflected G minor" in the orchestra, while the piano "pounds out dissonant tone clusters.
Trombones blasted from the audience, cow bells formed links between pieces and MacGregor used wooden blocks to play tone clusters on the piano.
This especially sharp, high, and powerful attack is brought about by the following instruments: three piccolos staccatissimo, xylophone, glockenspiel, whip, a very high-pitched snare drum, celesta, harp, harpsichord, piano - these last four instruments playing very high tone clusters - and finally strings, which play a special, particularly penetrating pizzicato in which the string is pressed against the fingerboard with the fingernail.
Tone clusters and dissonance of any kind are best heard when they are not affected by vibrato that compromises intonation.